There are some doodles that Google didn’t (or wouldn’t) doodle. The Chaiwallah prides himself as an unofficial Google doodler. I have written about these unofficial doodles and they have also been written about at a couple of places. 2016 had its fair share of the unofficial Google doodles and the doodles are not necessarily a [Read more]
I was in school when she first mesmerised us all with those emerald eyes and over two decades later, those eyes still have the same enthralling effect. On Aishwarya Rai Bachchan’s this is the obvious unofficial Google doodle that I could conjure.
London-based designer Johnny Joannou has a thing for the periodic table. His long series of designs based on the chemisty periodic table of elements covers a wide range of sports and a little cinema including one on our dear Bollywood. The £60 print of the “greatest Bollywood films of all-time” includes films “selected to represent [Read more]
You might have read the reviews, or better still, watched the ‘motion picture’. Shoojit Sircar’s Piku brings out the poop (or rather the lack of it) obsession from the Bangali bhadrolok’s household to the silver screen, much to the amusement of us Bangalis and oBangalis (non-Bengalis) alike. Not sure if any other community is as [Read more]
Before becoming an actor, Akshay Kumar did only one modelling assignment and it was for a gym called Perfect 10. And from the money that he earned from his first modelling assignment, Akshay got a photo session done to put together his portfolio to pursue his a career in acting.
It is a little difficult to imagine Chairman Mao, humming along a Hindi film song. But it is said that the founding father of communist China Mao Tse-tung quite liked the Chinese rendition of Awara hoon, from Raj Kapoor’s Awara (1951). Had China been the manufacturing powerhouse it is now. the lyrics of another popular [Read more]
One of Shammi Kapoor’s unfulfilled desires was to be a horse-riding tea garden manager in Assam.
Shammi Kapoor was to be the hero in Aar Paar (1954) and Dilip Kumar was the choice for the role of Vijay in Pyaasa (1957) but Guru Dutt, ever the reluctant actor, ended playing both the roles.
Now that multiplexes (and piracy) have altered our movie watching experience for good, ever wondered what it was like inside a theatre back in the heydays of the single-screen theatres? To know/relive that experience Krishna Shah’s 1979 quasi-documentary Cinema, Cinema is a recommended watch. Shah (who also directed the 1978 film Shalimar) tells the story [Read more]
In Chandra Barot’s Don (1978) Pran’s duplicate (for stunts) was a woman, while Zeenat Aman’s was a man. (Hat tip: Rohit Vats) Surprise of the day: Pran's duplicate was a girl in DON. You want the proof. See this picture: pic.twitter.com/rZ2nWoTieN — Rohit 'Vats' (@nawabjha) January 25, 2014 New revelation: Zeenat Aman's duplicate was a [Read more]
60 years ago on Sunday, March 31, 1954 the first Filmfare Awards ceremony (for films released in 1952-53) was held at Bombay’s Metro Cinema and the subsequent issue of the fortnightly film magazine (dated April 2, 1954) had on its cover three of the winners from the night posing with their trophies. On the cover [Read more]